Later this month, Boston Baroque, led by Martin Pearlman, will present Mozart’s incredible "Don Giovanni" in a fully staged production. In anticipation of the performances, General Manager of GBH Music and author of the novel "Imagining Don Giovanni" Anthony Rudel takes a closer look at the opera’s characters and the men who created them.

As the eclipse approaches, many colleagues from all over the country have been wondering what music might be appropriate for this rare natural occurrence, a time when the sun’s glories are blocked from view.

The BSO's next season at Symphony Hall is anchored by Composer Chair Carlos Simon, major undertakings in works by Mahler, Beethoven, and Shostakovich with Music Director Andris Nelsons, and much, much more.

April Fool’s Day comes with merry pranks, jokes, and light-hearted fun, and you can hear that fun in music!

Davis led the Toronto Symphony Orchestra, Britain's Glyndebourne Festival, the BBC Symphony Orchestra, the Melbourne Symphony Orchestra and the Lyric Opera in Chicago.

Professors and students at the University of South Florida mapped pitch, rhythm and duration to data about algae blooms and depletion of coral reefs to create an original composition.

Hahn returns to Symphony Hall as the soloist in Brahms’s Violin Concerto, and Andris Nelsons conducts Mozart’s Symphony No. 33 and Anna Thorvaldsdottir’s "Archora," inspired by the primordial energy of her Icelandic homeland.

On The Bach Hour, Alina Ibragimova is the soloist in Bach's Violin Concerto in D minor, and Christophe Coin leads the Cantata No. 85, "I Am the Good Shepherd."

Andris Nelsons leads the BSO, pianist Yuja Wang, and ondes Martenot player Cécile Lartigau in Olivier Messiaen's wildly kaleidoscopic expression of love, nature, and spirituality, "Turangalîla-symphonie."